HAVE YOU ever been to a novel place where you felt like you want to stay there forever?
That is exactly what I experienced when I arrived at the World Trade Center in Pasay City more than a week ago to chase the first ever Big Bad Wolf event in the country.
It’s the brainchild of BookXcess leads Andrew Yap and Jacqueline Ng, whose main mission is to extend the doors of opportunity to book readers and book lovers who normally couldn’t afford to buy one.
As soon as I stepped foot on the entrance of the building at around one in the morning, a pleasant aroma greeted me which emanated from the smorgasbord of books stationed per category across the 2-hectare floor area of the venue. The chill in my body was something I’ve never experienced before from the throngs of book sales I had been to.
“This one is different,” I said to myself. “A glimpse of heaven.”
I can still recall how my eyes glowed like the sun when I saw the sea of people walking and running and pushing their carts with the same exhilaration I’ve been curbing inside for days leading to opening day. I even thought for a moment that I was in an airport when I saw that some of the shoppers were carrying large bags and boxes, as if they’re going to travel to a remote destination or roam around the world.
The mood was convivial. Pop songs encompassed the enclosed space. The ushers wore their best smiles and first-rate patience. A stranger handed me his own basket. I unhurriedly checked the piles of titles from the right wing of the entryway to the section close to the center.
I read the texts written on the back covers. I smelled them. Secretly. Memoirs. Novels. Non-fiction.
I bought a total of 8 books for about P1,800: Asne Seierstad’s One of Us, David J. Linden’s Touch, Jon Ronson’s The Men Who Stare at Goats, Chris Kyle’s American Sniper, Scott Christianson’s 100 Documents that Changed the World, Michael Ondaatje’s In the Skin of A Lion, Divisadero, and a winner of the Booker Prize, The English Patient.
While the books being sold at the Big Bad Wolf are “remaindered” and launched about 6 months or one year ago (which is why they are priced 60% to 80% lower than in regular bookstores), I still can’t help but feel sorry for the scarce presence of Filipino literature in this mammoth book sale.
As I was about to pay at the cashier, I thought: “Would it be possible to see Filipino authors’ works being sold and showcased at a colossal and noteworthy affair like this someday? Will they be received the same way as J.K. Rowling and R.R. Martin?”
Truth be told, most of the of books I currently have were written by foreign authors. While I read F.H. Batacan, Bob Ong, Laurel Fantauzzo, and Miguel Syjuco, my ignorance on the content, tone, voice and structure of the worlds created by National Artists for Literature F. Sionil Jose, Nick Joaquin, Cirilo F. Bautista and the others is undeniable. I was in high school when I first heard of their names because we were required to read snippets of their artistry in our Filipino class. But when we graduated, and with no quizzes to take, time passed by, and I forgot about them.
When you visit a branch of the Phlippines’ biggest bookstore these days, the themes of their top selling local books revolve around these 3: how to fall in love, how to move on, and how to be loved by your crush. These are the thin, self-help, mind-numbing books that can leave one to ask: “Hanggang dito na lang ba tayo (Is this all we’re capable of)?“
The day after I watched his interview with Boy Abunda for National Arts Month, I swiftly searched for copies of National Artist Virgilio Almario’s poem collections in a luxurious mall just a couple of kilometers away from our home. I was appalled that I did not find any trace of his genius; instead I saw Leavs, Faudets, and Kaurs taking over the shelves.
In the face of globalization, English is considered as the most valuable means of communication. As Filipinos, we take pride in our level of proficiency in this language. But with it comes the growing practice of degrading our roots and creativity, and the maltreatment of Filipino poems, essays, and novels, labelling them as corny, subpar, and insignificant. We have so many writers and creators who are discouraged by the feedback they receive from the people around them. There’s no money in writing. It’s useless. You’ll just be a slave all your life. Don’t waste your time in nonsense. Art is dead.
Jose Rizal once said: “On this battlefield man has no better weapon than his intelligence, no other force but his heart.”
Literature and the arts are the soul and heart of a country. They help us unravel some of the unspoken, subdued, and hidden truths around us so that we may understand ourselves better and be introduced to the richness of our history, which will fuel us to act, reevaluate our views, or change our course if the situation demands for it.
If we do not embrace our own gifts and treasures, and if we forget who we are, we may end up cruising on a highway with no direction or maps as references, and unknowingly get into a collision with our fellow travellers.
Some intellectuals claim that we are not a reading people, but I believe that’s inaccurate. I am convinced that we’re still searching for that spark of transcendence, of the drive to take another sound, earnest look at our dying local publishing industry.
We have to change our mindset that the works of foreign authors are innately superior and finer and more magnificent than what we can produce. We have to debunk the colonial mentality that’s deeply ingrained in our culture, or else we’ll live in an endless search for our identity.
Not everyone can declare that they ran after a Big Bad Wolf at one in the morning on a Saturday. With all the courage I have, I did, and I hope you do, too. Forever.
(This piece has been published in Rappler.com’s IMHO on February 24, 2018.)
Photo credit: http://www.bigbadwolfbooks.com