“I find it fascinating how the train’s doors can be one’s windows on this journey.”
EVERYDAY, I ride the Metro Rail Transit (MRT) to go to work. Most of the time it’s crowded. But sometimes, seats are empty, the existence of air conditioning units can be felt because of the cold breeze coming out of them, and the passengers vibrantly chatting to each other; men and women and children, all collected in a closed, moving machine.
But in a rare occasion, while cruising through the highway, I observed how weather changed. At the Guadalupe station, it’s raining so hard that you can imagine yourself enveloped in your white, comfy bed sheet in your room. The vehicles on the street are stuck and wet. Small and large, private and public, they have the same fate. But four stations later and after few kilometers, the concrete road below seems untouched by a raindrop. It’s like you’re looking at a different world. And with wonder, you realize that you became a link to two dimensions.
I find it fascinating how the train’s doors can be one’s windows on this journey. They say that the MRT reveals who we really are. But I think it also reveals the variations in different places, the weather, the people, the clouds above. It reveals the complexities of the things around us, that what’s happening to one place can’t be expected to unfold to another. Nothing is really the same or equal. We can choose to think of all the complaints that we wanted to address to its management whenever we’re informed that a defective train causes the delay or we can choose to just enjoy the ride.
And at the end of the day, it all boils down to our perception, to our eyes, to us.
“I believe that everyone’s a storyteller but the challenge is to have a grasp on what’s worth writing about.”
WHEN I first held a copy of Philippine Daily Inquirer years ago (the largest and greatest of Philippine broadsheets) and realized that they accept column article submissions, I told myself that someday, I should get published there. I fell in love with its opinion column ‘Young Blood’ where the twenty-something and below gets featured. It was then that I dreamt of being a writer.
I’m still a work in progress, every aspiring writer will tell you that. But after getting published, it kindled hope in me to be a regular contributor. It became a catalyst for me to be a better observer, a finer listener, and to pause more. A lot of things are going on and it is our job to translate them into words. Sometimes I sulk after learning that an unexpected thing happened which is natural.
I can say that being idealistic is an important element to be able to write. You have to hope that there’s a better world ahead and you have to be part of the public discourse, a contributor, to get it. You may fail miserably, you can get rejected multiple times but these are all part of the process. I can’t think of a successful writer today who never experienced rejection.
To understand that there’s a gatekeeper who filters all of the submissions makes it beautiful. To understand that millions of people wanted to write but die dreaming about it places writing at a whole new level. I believe that everyone’s a storyteller but the challenge is to have a grasp on what’s worth writing about. We have our own gift, our own passion when it comes to creativity. We all have our own point of view which surely differs from others; different opinions on an issue or an idea. different mindsets.
But isn’t it true that every published work humbles you? It is not easy to generate ideas. You have to keep moving, keep believing, keep working. Yes, it’s work because you spend time, energy, and intellect to accomplish it. But since you enjoy doing it, time flies by without you knowing it.
I still have a lot of dreams but I hope that this will remind me every now and then that they are attainable. And I hope that it will do the same to you.
To just keep going. To write.